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Art review of David Bowie Is at Philharmonie de Paris

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“Boots for the Aladdin Sane tour” (1973) Courtesy of The David Bowie Archive © Victoria and Albert Museum“Boots for the Aladdin Sane tour” (1973) Courtesy of The David Bowie Archive © Victoria and Albert Museum
Art review of David Bowie Is at Philharmonie de Paris
http://whitehotmagazine.com/articles/is-at-philharmonie-de-paris/3216


on Marcel Broodthaers : Musée d’Art Moderne - Département des Aigles

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“Salle Blanche” (1975)“Salle Blanche” (1975)

Art review of Marcel Broodthaers : Musée d’Art Moderne - Département des Aigles at Monnaie de Paris http://hyperallergic.com/215829/marcel-broodthaers-killed-art-with-curre...


Review of the Alibis: Sigmar Polke Retrospective

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Christof Kohlhöfer and Sigmar Polke,The Whole Body Feels Light and Wants to Fly… / Der ganze Körper fühlt sich leicht und möchtChristof Kohlhöfer and Sigmar Polke,The Whole Body Feels Light and Wants to Fly… / Der ganze Körper fühlt sich leicht und möcht

Review of the Alibis: Sigmar Polke Retrospective at the Museum Ludwig (Koln)
http://hyperallergic.com/214765/sigmar-polkes-dreamy-trippy-art-went-dee...


Parreno's Marquees

I've been advised that Parreno's marquee pieces deserve further discussion. They are, certainly, the dominant visual element of the H{N)Y P N(Y}OSIS installation at the Park Avenue Armory, marking the outline of Danny the Street and providing much of the illumination in the Drill Hall. The films and musical interludes might alternate, turning on and off in random sequence, but the marquees abide like sentinels or referees, providing strict framing of the playing field, defining the rules of the game.


Reflections on H{N)Y P N(Y}OSIS, Philippe Parreno's installation at the Park Avenue Armory, June 10, 2015

When the circus comes to town, we are accustomed to a certain hierarchy of presentation. First there is the sideshow, often an allee lined with various attractions that are transitory and ephemeral: small, spicy, tender morsels that serve to whet our appetite for the main course, where the real business of the circus -- marching elephants, dancing bears, lion tamers, jugglers, tightrope walkers, aerial acts, the flying trapeze and such -- gets done under the Big Top.


Review of the Bruce Nauman mini-retrospective at the Fondation Cartier

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View of “Carousel (Stainless steel version)” (front) and “Anthro/Socio (Rinde Facing Camera)” (rear) at Bruce Nauman, FondationView of “Carousel (Stainless steel version)” (front) and “Anthro/Socio (Rinde Facing Camera)” (rear) at Bruce Nauman, Fondation
Review of the Bruce Nauman mini-retrospective at the Fondation Cartier
http://hyperallergic.com/197824/make-step-repeat-bruce-nauman-is-out-of-...


Aufruf zur Alternative, Joseph Beuys 12/1978

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Aufruf zur Alternative

Joseph Beuys 12/1978

Erstveröffentlichung in der Frankfurter Rundschau am 23. 12. 1978


Review of Musings on a Glass Box / Diller Scofidio + Renfro

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Musings on a Glass BoxMusings on a Glass Box

Review of Musings on a Glass Box / Diller Scofidio + Renfro
at Fondation Cartier pour l'art contemporain in Paris
Published at Hyperallergic
http://hyperallergic.com/183396/architecture-that-integrates-the-human-b...


Getting Lost in David Altmejd’s Hall of Mirrors

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David Altmejd, “The Flux and The Puddle” (2014) (photo by James Ewing © David Altmejd, Image courtesy of Andrea Rosen)David Altmejd, “The Flux and The Puddle” (2014) (photo by James Ewing © David Altmejd, Image courtesy of Andrea Rosen)
Review of
David Altmejd
Flux
@ ARC the Musée d'Art moderne de la Ville de Paris
October 10th, 2014 - February 1st, 2015


Art Review of Hike, Hack, Hic et Nunc

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Pierre Clément, “Off the hook” (2014) installationPierre Clément, “Off the hook” (2014) installation

Art Review of Art Review of Hike, Hack, Hic et Nunc at XPO Gallery, Paris
http://artillerymag.com/hike-hack-hic-et-nunc/


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